[ 01-04 ]

“A picture paints a thousand words.“ The saying has been known for years, but it is even more true today. In branding, a distinctive and consistent visual language creates instant recognition, evokes emotion, supports storytelling, proves diversity and drives purchase decisions. Explore how the airline industry approaches imagery.

Imagery [01]

Imagery Content

The images used on the websites of the world‘s largest airline brands reflect the industry's interest in conveying emotional messages beyond functional arguments like punctuality and safety: it‘s all about comfort, exotic or cosmopolitan destinations, and vacation vibes.


Compares the selected brand’s imagery (above) to other industry brands. Each bar represents the percentage of similarity.

The Regular Brand

0%

25%

50%

75%

100%

58 %

KLM

58 %

Singapore Airlines

58 %

LATAM Airlines

57 %

Southwest Airlines

57 %

United Airlines

56 %

Air France

56 %

Air China

56 %

American Airlines

56 %

China Eastern

56 %

Turkish Airlines

55 %

Air Canada

55 %

Qatar Airways

55 %

Alaska Airlines

55 %

Lufthansa

54 %

British Airways

54 %

Japan Airlines

54 %

Ryanair

54 %

Delta

54 %

Qantas

54 %

ANA

54 %

China Southern

54 %

Emirates

53 %

Jetblue

52 %

Easyjet

52 %

Korean Air

*Deviations from real image motivs due to AI generation

Imagery [02]

Tonality

The overall visual tone in the websites of the world‘s leading airline brands is cold and shows low vibrancy.


Distribution of the image temperature

28%
0%
72%
Warm
Neutral
Cold

Color distribution by vibrancy

14%
86%
Vibrant
Balanced

Imagery [03]

Perspective

Although they don‘t contain images of products, 95% of top airline brands‘ websites rely on conventional visual perspectives.


Distribution of image perspectives

Normal

95%

Extreme

5%

Imagery [04]

Style

Travel is visually represented in a highly realistic style, with 80% of the web pages of the world‘s leading airline brands featuring photographic imagery.


Usage of image categories

80%
Photography
17%
2d illustration
3%
3d illustration

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